Some guitars are not born from a drawing, but from an old obsession. From a shape that stayed with you not because it was famous, but because you once saw it in the hands of the person who inspired you in life. This guitar starts there.
Over time, I’ve learned that when you do things well, not everyone is pleased. Sometimes it’s not about mistakes, but about the discomfort caused by work done thoroughly.
This is my interpretation of an iconic model, filtered through my hands, my experience, and my way of seeing an instrument that needs to stand the test of time.
I worked on this guitar for a long time without talking about it. Every detail was chosen carefully, step by step, as the instrument slowly took shape. Some things stayed, others disappeared along the way, as happens when you build without haste and without the need to prove anything.
It is a guitar made in my own way, with respect for the source that set everything in motion, but without the intention of reproducing it.
I hope that if the man who still brings joy to people on stage with this shape ever sees these images, he will understand that this is not about copying, but about an influence that carried on, in a way I never anticipated myself.